Posts Tagged digital camera
Nikon L120 Super-zoom Camera not so Super
The popular Nikon L120 comes with some nice features and a great 21X zoom in a reasonably small package, but the lack of manual controls, no viewfinder, AAA batteries, and lackluster picture quality combine for underwhelming results overall.
I’m a big fan of super-zoom digital cameras and recommended this category in my travel writing book for writers and bloggers who want to publish good photos consistently, but don’t want to lug around a big DSLR and various lenses. These cameras let you zoom in far closer than you can with a basic point-and-shoot, they have a better lens, and usually have a faster shutter release time. They offer a good trade-off between convenience and quality.
Usually.
I must say it’s mixed bag with this Nikon Coolpix L120 one I picked up recently, on sale at Best Buy for $238 plus tax. I was under pressure to buy something in a hurry after my beloved Kodak Z1012 wigged out on me recently and started putting itself into Sport mode at random moments and getting finicky about when it was ready to shoot or not. I had very few beefs before with that camera besides so-so resolution in low light on auto mode (much better with manual tweaks) and a battery that required lugging around a too-big separate charger. It took photos great enough for print magazine spreads and I published hundreds of shots on the web I took with it, some in award-winning articles.

A shot too tough for Nikon's auto-focus
I’m ready to ditch this Nikon after two weeks, however. I’m still fiddling with the few manual controls there are to improve image quality, but I’m not optimistic this will meet my needs. I need to go back to the drawing board and do more research this time before buying a better camera. This one seemed the best of what was on offer when my wife called on the phone saying she needed to buy a new camera in an hour to have at the wedding she was attending. “Get the Nikon one,” I said. “The price is right and it should be reliable.”
Wrong. I’ll get to the quirks in a moment, but the main problem is, this camera just plain doesn’t take great photos half the time. If the light is not perfect, the photos comes up short. If you’re in low light conditions and trying to get a shot that’s not full of noise/distortion, you may as well be using an iPhone: forget the 14 megapixels and the high-ISO settings touted in the specs as they won’t do anything except give you big file sizes to store. It’s like this camera’s sensor just throws up its hands and says, “Sorry!” Since there are very few manual overrides (I had plenty on my Kodak), you’re mostly stuck with what the camera gives you automatically unless you drill down to the right situation mode, these mostly being for cases where you’ll use a flash.

Typical results in low light without a flash
It also dials back the shutter speed quite a bit if the light isn’t bright (again, you can’t adjust this), so I’ve been ending up with blurry photos in conditions where I’ve never encountered them with far cheaper cameras. There’s anti-shake technology supposedly, but I now don’t trust it unless it’s sunny where I’m shooting. I feel like I have to hold this camera like it’s a sleeping newborn. Video quality is just okay. It’s higher resolution than my Flip camera and records in stereo—plus there’s a handy wind noise reduction feature—but you have to pan more slowly with this one to keep it from being blurry, especially indoors. It’s better suited for outdoor pursuits.
This Nikon also uses 4 AA batteries instead of a rechargeable lithium ion battery, which makes it heavier than it should be considering all the plastic parts, and requires lugging around a charger that holds 4 AA batteries, plus an adapter if you’ll be in a country with different voltage. The memory card is under the same flap as the batteries, which means all 4 can spill out when you’re just trying to switch out a card. Dumb design.
There’s also no optical viewfinder, which drives me batty. Looking at a screen while trying to shoot in bright sunlight, all while holding the camera steady away from your body, is asking for trouble. It’s like shooting blind sometimes. I know this is a common problem with compact point-and-shoots, but it shouldn’t be with a camera this size.
The Plus Sides of the Nikon L120
We’ll keep this camera for family snapshots and day trips though because it does do some things very well. The 921,000 dpi 3-inch screen on the back is beautiful and it’s easy to tell if you got a keeper shot or not. The buttons are few and the menus are fairly intuitive, though all the non-automatic options are groups under “night landscape” except for “smart portrait” (detects eyes for focusing) and “sport continuous.” The latter function works quite well, at up to 20 frames at 15fps, but the resolution goes down.

In good light, good results
The main reason to get this kind of camera—the 21X optical zoom—is smooth and impressive, allowing you to get up close and personal without getting in anyone’s face. It’s fast too. One nice feature with this Nikon is that you can control that zoom from two places: the usual spot by the shutter release, plus an extra button on the left side of the lens. Keep in mind though that 21X is a pretty shaky shot to hold, especially with no viewfinder besides the screen on the back. It’s hard to get a shot in focus when extended full length without a tripod.
This camera performs better than any other I’ve used when the flash is on, even without the situational overrides. It illuminates without washing out, red-eye reduction works well automatically, and the colors don’t get too distorted. If you take a lot of photos of your friends partying, this will do the job well.
Overall though, since I so seldom use a flash, I’d give this Nikon L120 a C- because to me it feels less than average. Looking at the Amazon reviews I’m in the minority, so maybe if I weren’t comparing it to my past Kodak and Casio cameras it would rate higher, but I guess I’ve been spoiled.
This camera is gifted in some areas, plus it’s hard to complain too loudly when the price is this good (under $250 at some merchants). There’s a lot crammed into that price, which is probably why it is selling so well. But the main reason you buy a camera—especially one you take traveling—is to end up with better than average photos. With the definition of “average” rising higher each year, Nikon fell behind on this model. It’s a good value if your budget is tight and you want a serious zoom. But spend a bit more for something better if you need high-quality results you will publish or frame on a wall.
Get the Nikon L120 at Amazon or search prices online.
Don’t miss a review: get our RSS feed or follow us on Facebook!
Posted by Tim L. in General Gear, Kids and Family on July 7th, 2011
Lensbaby Turns Photos into Works of Art
One of the most-carried pieces of travel gear is a digital camera. And if you’ve moved up from a point-and-shoot to a DSLR—or are thinking about it—Lensbaby can help take your photography to the next level of creativity.
Lensbaby makes a series of lenses, and optic inserts for those lenses, that can turn ordinary photos into extraordinary works of art. I’ve been spending some time with the Composer lens and the Soft Focus Optic on my Nikon D90 and enjoying the results.
First stop was an old-fashioned carnival where I got so busy with the Lensbaby, I forgot about the cotton candy.
The Composer is a selective-focus lens. One of the best ways to call attention to a subject is to have it in sharp focus, with the background or even the foreground blurred. This is a great-looking effect. And it’s where the Composer shines.
The focus area can be in the center of the picture. Or, with the Composer’s ball-and-socket design, the sweet spot can be moved to the right or left and up or down.
Then, just focus and shoot. A built-in locking ring, if needed, will hold the spot.
It’s possible to get a similar type of selective focus with a regular lens by using a wide aperture, giving the picture a shallow depth of field. But the Composer makes it easy and can create a more dramatic effect with a movable sweet spot in only a portion of the frame.
The Composer also includes changeable aperture discs ranging from f2 to f22. I used manual exposure settings for my D90. Some other cameras allow light metering in aperture-priority mode.
The Composer is available with mounts for most popular digital SLR cameras.
Lensbaby offers two other selective-focus lenses—the Muse, with an accordion-like design, and the Control Freak for tabletop and macro photography. The Composer, Muse and Control Freak can each be used with interchangeable optics for different looks.
One of these interchangeable optics is the Soft Focus, which I’ve also been testing. It gives pictures a softer, velvety look. This effect is seen evenly throughout the image, without the sweet spot of the standard optic in the Composer.
It’s great for portraits and landscape shots and can do some really interesting things with lights as you can see from the photo of the Wipeout ride.
Lensbaby has an online gallery of photos. There’s also a Flickr group for enthusiasts to share their favorite pics and tips.
The Composer sells for $270 at Lensbaby’s online store. Street prices are very close to that. It’s available from Amazon and other retailers nationwide. (The Amazon link is for the Nikon model—be sure and choose the correct mount for your camera.)
The Soft Focus Optic sells for $89.95 from Lensbaby direct and is also available from Amazon. Note that a Composer, Muse or Control Freak lens is needed to use one of the changeable optics such as Soft Focus.
Of course, setting up a Lensbaby takes a bit longer than using an automatic lens. But the small amount of extra time invested pays off with stunning photos.
Point and shoot cameras are great when you want a small, easy-to-use camera to carry around during your travels. But for serious photography—minus the shutter lag, fixed lenses and other annoyances of the point-and-shoots—a DSLR is definitely the way to go.
Then, adding a Lensbaby can help you look at the world in a new way.
Posted by JohnG in Adventure Gear, Business Gear, General Gear on February 22nd, 2010
Is it a Video Camera or a Still Camera? Or Both?
So, I’ve just hiked to the base of a stunning waterfall in the Smoky Mountains National Park. Sitting on a rock with my Nikon camera hanging around my neck, someone shouts from the water below, “Is that a D60?”
Yes, people love their cameras. It was actually a D90, not a D60, that I’ve been taking on the road as the lines begin to blur between digital SLRs and video camcorders. And this camera is a pioneer in that trend.
The Nikon D90 was the first to introduce HD video recording in a digital still camera, though others are beginning to follow. While it won’t be replacing my video cameras any time soon on professional shoots, the tide is turning in that direction. And having video capabilities in a “still” camera can be very handy.
Like the time I was in Europe using the video function to record a message from my grandmother that I could play for my dad.
The D90 doesn’t have enough manual controls when I’m shooting “serious” (as in paid) videos. But for quick family memories or a variety of other uses, it can be priceless.
Since the D90 came out, Nikon has introduced some newer models which continue to push the envelope on video. My thought on the 12.3 megapixel D90 is that it’s worth the price just for the still photos. It takes great pictures and has an impressive list of features.
List price for the D90 kit, including an excellent Nikon 18-105mm Vibration Reduction lens, is $1199.95. See the link below to shop around on prices, but the price of this popular camera doesn’t vary a whole lot.
The video capability is a bonus, but it’s more than that. I think we’re seeing a glimpse into the future convergence of two different types of cameras that have always been separate and distinct.
So I can’t help but wonder when video and still cameras—good enough for serious, professional use—will merge. My sense is it won’t be long.
Nikon has also put together some tips on taking memorable pics during the holiday season. No matter what brand of camera you’re using, there’s some good information here.
Posted by JohnG in Adventure Gear, General Gear, Kids and Family on December 12th, 2009



